Autumn Lecture 2025

Date: 16 October 2025
Time: 7.30pm
Venue: Online


About the Event

The fifteenth-century Paston correspondence provides unique insights into the lives and book ownership of a late medieval gentry family, and also includes a large number of letters written by women. The literacy of the Paston women has been the subject of scholarly analysis, based on close scrutiny of the hands of the women’s letters and on close reading of their contents, and is still debated.  From this is seems that the most prolific of the correspondents, Margaret Mautby Paston, was almost certainly unable to write, and she called upon her sons, servants and chaplain to act as her scribes. All this is now well established. However, having limited or no literacy skills did not necessarily prevent access to literary culture. In this lecture, I focus on three of the women in the family—Agnes Berry Paston, her daughter-in-law Margaret Mautby Paston and Margaret’s daughter Elizabeth Paston (Yelverton)—and on three books either in their possession or that they may have read, in order to speculate about their interest in these works and how they might have influenced them..


Speaker Biography

Professor Diane Watt

Professor Watt is professor of medieval literature at the University of Surrey. She has worked extensively on the medieval women’s literary culture and recently co-edited Women and Medieval Literary Culture from the Early Middle Ages to the Fifteenth Century with Corinne Saunders (Cambridge University Press, 2023), which received a 2024 Choice Award for Outstanding Academic Titles. Her latest book, God’s Own Gentlewoman: The Life of Margaret Paston, was published in 2024 by Icon Books.


Ticket Information

Members: £0.00 (Free)
Non‑Members: £5.00


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Further Information

Related volume(s) and a recording of the lecture, where available.

Related Volume: The Correspondence of Lady Katherine Paston, 1603-1627

Related Volume: The Whirlpool of Misadventures, Letters of Robert Paston, 1st Earl of Yarmouth, 1663-1679

Watch the recording

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